Angebote zu "Buddy" (62 Treffer)

Buddy Holly - Memories Of Buddy Holly - Compile...
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(1996/Big Nickel) Jim Dawson & Spencer Leigh, Paperback, 168 pages, 17x23 cm, english, rare b&w illustrations. - The compilers have put together the ultimate tribute book to one of Rock & Roll´s greatest pioneers, with quotes from Ella Holley (Buddy´s mother), Bob Montgomery, Sonny Curtis, Jerry Allison, Waylon Jennings, Niki Sullivan, Roy Orbison, Sid King, Norman Petty, Bill Pickering, Gene Vincent, Don Guess, Charlie Feathers, Dick Clark, Bob Thiele, Buddy Knox and others whose lives touched Buddy´s during his lifetime. Includes Buddy´s chart hits, the unreleased album of alternate takes you probably haven´t heard, cover records & remakes of Buddy´s songs, paens, dirges and tribute records, current CD releases and much more. With many rare photographs. - At last, the real story of rock ´n´ roll pioneer Buddy Holly is told by those who knew him best: his family, the musicians he played with, the fans who loved him, and the stars who were inspired by his music, including John Lennon, Paul McCartney, and Bob Dylan. With extensive coverage of Buddy´s chart hits, the unreleased album of alternate takes you probably haven´t heard, cover records, remakes of Buddy´s songs, tribute records and more.

Anbieter: Bear Family Recor...
Stand: 19.02.2019
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Buddy Holly - They Died Too Young - Buddy Holly...
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Gebundene Ausgabe - Parragon Plus- 78 Seiten - Englisch Quiet Beginnings Charles Hardin Holley was born on 7 September, 1936, in Lubbock, Texas. (The more familiar ´Holly´ spelling is the result of a mistake on Buddy´s first recording contract.) He was the youngest of Lawrence and Ella Hol-ley´s four children, and was raised like the rest of the family as a Fundamen-talist Baptist, in the strict moral atmo-sphere of the Bible belt of south-west America. His father had moved to in search of work in the thriving cotton industry of the area, and although Texas was not especially known for its musical heritage, his family made music a part of their lives. From the singing which was an important part of their church life, to the music which they played and sang at home, Buddy, as he was called from an early age, was sur-rounded by its influence. He won a five-dollar prize at the age of 5, with a rendition of Down The River Of Mem-ories, accompanying himself on a toy violin. He was keen to follow his brothers and sister by mastering an instrument, trying the piano and the steel guitar before finding an affinity with the acoustic guitar, listening to the radio and picking up the tunes of ...

Anbieter: Bear Family Recor...
Stand: 25.04.2019
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Buddy Holly - The A-Z Of Buddy Holly - Alan Mann
39,95 € *
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(1996/Aurum) paperback, english, 218 pages, b&w illustrations. - sealed, new stock copy (Bear Family Records)

Anbieter: Bear Family Recor...
Stand: 25.04.2019
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Bill Haley - The Father Of Rock & Roll - The Ri...
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Taschenbuch 538 Seiten, Verlag Books on Demand, Sprache: Englisch ISBN-10: 3741248568, 14,8 x 2,8 x 21 cm , Buch Eins von 1000 Seiten Biographie über Bill Haley. Am 12. April 1954 kreierten Bill Haley & His Comets mit ´´Rock Around The Clock´´ die ´´National Anthem Of Teenagers´´ (Dick Clark), den Song, der zur meistverkauften Rock-Single aller Zeiten wurde. Erst am 6. Juli 1954 brachte Elvis Presley seine erste Scheibe - ´´That´s Alright (Mama)´´ - heraus, die in einigen Staaten südlich der Mason-Dixon-Linie ein lokaler Hit wurde. Bill Haley erhielt 1954 seine erste goldene Schallplatte für ´´Shake, Rattle & Roll´´. Bo Diddley war ein Jahr davon entfernt, seinen ersten Treffer zu erzielen. Das Gleiche galt für Chuck Berry. Buddy Holly war sechzehn und spielte mit dem Schulfreund Bob Montgomery Western Bop. Little Richard machte verschiedene Gelegenheitsjobs, während Fats Domino seinen Stil noch nicht auf Rock & Roll umgestellt hatte. Carl Perkins und Jerry Lee Lewis traten immer noch in Honky Tonks auf. 1955 wurde Bill Haleys streng kontrollierter, synkopierter Klangchor, der von einem wilden, primitiven, aber immer donnernden Beat getrieben wird, mit dem Kassenschlager ´´Blackboard Jungle´´ mit Glenn Ford und Sidney Poitier weltweit eingeführt. Der Film war die Zündung für -Rock Around The Clock´´, das zum Synonym für Rock & Roll wurde. Mit einer Verkaufszahl von mehr als 200 000 000 Exemplaren wurde es von mehr als 500 Künstlern in 32 verschiedenen Sprachen aufgenommen. Es wurde auch in vierzig Filmen gezeigt. Es war der Titeltrack zum von George Lucas inszenierten Blockbuster ´´American Graffiti´´. Buch Eins von 1000 Seiten Biographie über Bill Haley.

Anbieter: Bear Family Recor...
Stand: 25.04.2019
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Various Artists - A Tribute to Buddy Holly & Th...
3,10 € *
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Erscheinungsjahr: 2004

Anbieter: reBuy.de
Stand: 02.10.2019
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Comic & Fantasy Artist´s Photo Reference als eB...
30,49 €
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Comic & Fantasy Artist´s Photo Reference:Colossal Collection of Action Poses Buddy Scalera

Anbieter: Hugendubel.de
Stand: 12.10.2019
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Comic Artist´s Essential Photo Reference als eB...
19,99 €
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12,99 € *
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Comic Artist´s Essential Photo Reference:People and Poses Buddy Scalera

Anbieter: Hugendubel.de
Stand: 11.10.2019
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Buddy Holly - My Greatest Songs (CD)
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(1991/MCA) 14 tracks - liner notes by Colin Escott LINER NOTES On the surface, there was little about Buddy Holly that see-med to qualify him for musical stardom. His family lived in Lub-bock, Texas, on the edge of the de-sert—hundreds of miles from the nearest recording studio. He had a poor complexion, bad teeth and glasses, and, when he sang, it was in a curiously high-pitched voice. But Buddy Holly made a virtue out of being different to the ex-tent that now—when people look back on the ´50s—his one of the na-mes and faces that leaps instantly to mind. Charles Hardin ´Buddy´ Hol-ley (the ´e´ was dropped by the time he signed his first record ap-peared) was born in Lubbock, on September 7, 1936. He grew up li-stening to country music, and pik-king out chords on a cheap guitar. Thousands of kids across the South and Southwest were doing the same thing—but Buddy had two attributes most of them lacked talent and ambition. He and his friend Bob Montgomery started performing over KDAV in Lub-bock during the early ´50s as `Buddy and Bob´. Incidentally, Montgomery shared Buddy´s am-bition, and stayed in the music bu-siness. Until recently, he was the head of CBS Records in Nash-ville. It was Elvis Presley who tur-ned Buddy´s head around. Elvis played Lubbock twice during 1955, and Buddy was in the au-dience. In the wake of those shows, Buddy started integrating more R&B into his style, and checking out the black radio sta-tions. By the time he made his first set of solo demos, he was sin-ging Joe Turner, Bo Diddley and Little Richard songs, and making some tentative efforts at writing his own. In late 1955, Buddy impres-sed some country stars who swung through town on a package show, and was offered a contract by Decca Records in Nashville early in 1956. Decca, like every other record company, was scurrying around trying to find their answer to Elvis Presley. Buddy made some fine records for them—inclu-ding the original ´version of ´´That´ll Be The Day´´ — but not-hing clicked, and he was dropped at the expiration of his one-year term. Down, but not out, Buddy and his group started working at Norman Petty´s studio in Clovis, New Mexico. It was there, away from Nashville´s assembly-line at-mosphere, that Buddy Holly dis-covered what was special about his music. He used his own band instead of Nashville sidemen, and Petty encouraged him to exploit the quirkiness of his natural voice. When they re-cut ´´That´ll Be The Day´´, Buddy Holly announ-ced his arrival as an innovator. Petty landed a contract for Buddy and the Crickets with Coral Re-cords, and a parallel deal with Brunswick for Buddy as a solo artist. Ironically, both companies were New York subsidiaries of Decca, whose Nashville division had refused to re-new Buddy´s contract. The first record covered by the deal, ´´That´ll Be The Day´´, was a number one smash. Like Fats Domino, Elvis Presley and other true origina-tors, Budd) Holly´s records were recognisable from the first few bars. He was wholly in control of his music. He wrote much of it, played guitar, directed the group and sang. In Norman Petty he found a producer who was willing to let him experiment, and one who didn´t try to fit him into a pre-conceived mould. Slightly less than two years separated the night that Buddy re-cut ´´That´ll Be The Day´´, and the night he perished in a frozen Iowa field. He packed a lifetime´s accomplishments into those two years; he toured, played televi-sion dates, went overseas, mar-ried, and recorded constantly. He brought an almost unparalleled diversity to his recordings: go-for-broke rockers like ´´Oh Boy!´´ and ´´Rave On´´, ballads that broke new ground like ´´Heartbeat´´ and ´´Listen To Me´´; and simply great pop songs like ´´Maybe Baby´´ and ´´Peggy Sue´´. After his marriage, Buddy split from the Crickets and moved to New York. Sensing the demise of primitive three-chord rock ´n´ roll, he started exploring new di-rections, such as recording with strings. Perhaps Buddy´s flair for experimentation could have su-stained his career. Since his ear-liest days in Lubbock, he had al-ways kept his ears open to diffe-rent styles of music. New York, with the wide range of musics to be heard everywhere from recor-ding studios to open windows, would have provided fodder for his fertile imagination. All those questions remain unanswerable because of the crash of a light private plane car-rying Buddy, the Big Bopper and Ritchie Valens. At the time, Buddy hadn´t seen a major hit in

Anbieter: Bear Family Recor...
Stand: 15.08.2019
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Various Artists - Tell It To Me - The Johnson C...
9,95 € *
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1-CD mit 40-seitigem Booklet, 26 Einzeltitel. Gesamtspieldauer ca. 77:27 Minuten. • Veröffentlicht im August 2019 im Zusammenhang mit der Feier zum 90-jährigen Jubiläum der Johnson City-Sessions, soll ´Tell It To Me: Revisiting the Johnson City Sessions, 1928-1929´ erläutern, was der Musikhistoriker Ed Ward meinte, als er twitterte: ´´Johnson City Sessions: Viel mehr Spaß als mit den Bristol Sessions. Weniger Stars, mehr Einblick in eine verschwundene Welt.´´ • Die wegweisenden Forschungsergebnisse von Bear Familys 2013 veröffentlichter und preisgekrönter 4-CD Box ´The Johnson City Sessions: Can You Sing or Play Old-Time Music?’ (BCD 16083) werden hiermit auf einer einzigen CD zusammengefasst. • ´Tell It To Me´ liefert 26 wichtige Highlights aus den historisch bedeutsamen Aufnahmen, die im Auftrag von Columbia Records in Johnson City, Tennessee, 1928 und 1929 gemacht wurden. • Die Aufnahmen dieser CD-Zusammenstellung beinhalten einige der berühmtesten und einflussreichsten Aufnahmen aus den 1920er Jahren, darunter Clarence Ashleys Originalaufnahme von The Coo-Coo Bird, Charlie Bowmans Roll On, Buddy, Byrd Moore und His Hot Shots´ Three Men Went A Hunting, Bill and Belle Reeds Old Lady And The Devil und The Bentley Boys´ Down On Penny´s Farm. • ´Tell It To Me´ enthält einen neuen Essay, in dem der für den Grammy Award nominierte Linernotes-Autor Ted Olson die Johnson City-Sessions beschreibt, sie in einen historischen Kontext stellt und ihre nachhaltige historische Wirkung bewertet. • Die Aufnahmen aus Johnson City auf ´Tell It To Me´ wurden seinerzeit für die 4-CD Box sorgfältig restauriert und entsprechen dem hohen Anspruch von Bear Family an Klangqualität. So klingen diese neun Jahrzehnte alten Aufnahmen warm und klar - als ob sie gestern gemacht worden wären. Mit 26 Aufnahmen von 26 verschiedenen Künstlern, die Ende der 1920er Jahre aktiv waren, bietet ´Tell It To Me´ einen vielfältigen und dynamischen Überblick über die volkstümliche Musik der Appalachen an der Schwelle zur Weltwirtschaftskrise. Obwohl dieses Album eine Reihe von Genres und Stilen umfasst und sowohl weltliches als auch religiöses Material präsentiert, ist es thematisch homogen, da alle Tracks von kommerziellen Aufnahmesessions stammen, die von Columbia Records in Johnson City, Tennessee während der aufeinander folgenden Oktobermonate 1928 und 1929 stattfanden. Mit 25% der veröffentlichten Songs dieser beiden Johnson City-Sessions dokumentiert ´Tell It To Me´ zeitlose Performances aus den Jahren 1928-1929 und untermauert die jüngsten Behauptungen von anspruchsvollen Liebhabern von 78 RPM-Aufnahmen, dass diese Sessions einen besonders bemerkenswerten Kanon historischer Aufnahmen.

Anbieter: Bear Family Recor...
Stand: 26.06.2019
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